Exhibition - Past
Cokeryen. Photo, film, food by Tony Le Duc.
Snijders&Rockox house, from 28/9/2018 until 13/1/2019.
The culinary photographer Tony Le Duc knows how to raise food to the level of art, a talent he shares with the Baroque painter Frans Snijders. Le Duc draws inspiration from the food still lifes of the Baroque, while offering a fresh look at that period - literally and figuratively - through new photographic and video work. A delicious exhibition at the new Snyders&Rockox House!
Carp and ginger; cinnamon and raisins; quail, thrush, chaffinch and suchlike in pastry; pottage...
These were all items on the 17th-century citizen’s menu as well as ingredients found in the impressive market scenes and still lifes of Frans Snyders and his contemporaries. Culinary photographer Tony Le Duc has a similar keen eye to Snyders, and both elevate food to the level of art. Le Duc uses colour and composition to perform his magic. Placing his photographs alongside 17th-century still lifes creates a fascinating contrast. A delicious exhibition in the house and studio of Frans Snyders himself, which opens to the public in 2018 next door to the Rockox House.
And when you’re through feasting your eyes, you can treat yourself to a typical Baroque meal in the restaurant or the Baroque food truck.
The Golden Cabinet. The Royal Museum at the Rockox House
Until 2 July 2017
During the latter part of the sixteenth century and the early part of the seventeenth, the city of Antwerp enjoyed an especially favourable artistic and economic climate that made it the prime production and trading centre for luxury articles. It was a time when many patricians and merchants built up rich collections of contemporary and ancient art, though the majority of those collections have – alas – come to be dispersed in the course of time.
Visitors to the Rockox House in Antwerp will be able to see how an Antwerp art collection must have appeared in the Golden Century. More particularly, the residence of burgomaster and patron Nicolaas Rockox (1560–1640) is being transformed into a luxurious art cabinet with top items from Antwerp’s Royal Museum of Fine Arts (closed for renovation) and the most important works from the Rockox House itself. On display will be a range of fine paintings by such masters as van der Weyden, Memling, van Eyck, Rubens and van Dyck.
The Sky is the Limit. The landscape of the Low Countries. Rockox House Museum, in conjunction with the KMSKA and the Staatliche Kunstsammlungen Dresden.
25 March through 2 July 2017
Painting underwent a revolution during the course of the 16th century. New genres, including landscapes, took the art world by storm and flowed into the collections of rich patricians, traders and the nobility. Landscape served as background subject-matter for biblical and mythological scenes, but painters started to express themselves with the new genre in the creation of endless variations on townscapes, mountainscapes, panoramas, depictions of hell and seascapes.
One of the pioneers of Flemish landscape painting was Joachim Patinir. Pieter Bruegel the Elder was painting 'world landscapes' around the middle of the 16th century. In the 17th century, Rubens refocused attention on the landscape with his penchant for the countryside, his panoramic views and the rich diversity of colour on his palette.
The exhibition is made up of loans from the Gemäldegalerie Alte Meister Dresden, which will itself be devoting a major exhibition to this subject in the autumn of 2016, together with landscapes from the KMSKA and the Rockox House.
18 June through 2 October 2016 at the Rockox House Museum
The Rockox House and the Royal Museum of Fine Arts Antwerp (KMSKA) are organising a series of small-scale exhibitions as part of the Golden Cabinet initiative. Clara Peeters:Dinner is served! is number six.
Clara Peeters was an outsider – one of the few female fine artists in the early seventeenth century, not to mention a pioneer in the development of still life as a genre.
We know very little about her life.She worked in Antwerp in the first quarter of the seventeenth century, and a mere forty paintings have been attributed to her. Her still lifes – banquets, fish platters and bouquets – are a feast for the eye. But what is their deeper meaning? What was the value of Chinese porcelain to a middle-class household in 1610? What made her combine an artichoke with other delicacies and exquisite objects? Clara Peeters: Dinner is served! sets out to answer these and other questions evoked by the sometimes enigmatic work of this fascinating artist.
This exhibition has been organised in collaboration with the Prado Museum in Madrid.
The exhibition will move to the Prado in the autumn.
POWER FLOWER, Foral still lifes in the Netherlands
Exhibition runs 28 November 2015 to 28 March 2016
BAN PowerFlower 270x330The Rockox House and the Royal Museum of Fine Arts Antwerp (KMSKA) are organising a series of small-scale exhibitions as part of the Golden Cabinet initiative. Power Flower, Floral still life in the Low Countries is the fifth in the series.
Since time immemorial, art in Flanders, Brabant and Holland has been characterised by incisive observation of nature and the quest for naturalness.
Despite that, until into the 16th century, plants and flowers were only to be seen adorning the margins of illustrations depicting saints in books of hours. The flourishing interest in the botanical world and the burgeoning fondness for things natural prompted early-seventeenth-century artists to regard bouquets of flowers as a self-contained motif.
It was a period in which artists were totally spellbound by the 'Power Flower' and were to be for many years to come. Jan Brueghel, Jan Davidz De Heem, Osias Beert, Daniël Seghers, Rachel Ruysch are just some of the many artists on proud floral display at this most sweet-scented of exhibitions.